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American vocalizer-songwriter

This article is nearly the vocalist. For the racing commuter, see Todd Snyder.

Todd Snider
ToddSnider.jpg
Groundwork information
Born (1966-ten-11) Oct 11, 1966 (age 55)
Origin Nashville, Tennessee, U.S.
Genres
  • Folk
  • folk rock
  • roots rock
  • blues
  • alternative land
Occupation(s) Vocaliser-songwriter
Years active 1994–present
Labels Aimless Records
Associated acts
  • Elmo Fizz and the Eastside Bulldogs
  • Difficult Working Americans
Website toddsnider.internet

Musical artist

Todd Daniel Snider (born October 11, 1966) [1] is an American vocaliser-songwriter whose music incorporates elements of folk, rock, blues, alt country, and funk.

Early career [edit]

Todd Snider was born in Portland, Oregon, but was raised in nearby Beaverton, where he lived until he graduated from Beaverton High School in 1985. After high schoolhouse, he moved to Santa Rosa, California, to attend Santa Rosa Junior College. He but lasted one semester, merely while at that place, he learned to play the harmonica.[2]

With help from his brother Mike who bought him a plane ticket, Snider relocated to San Marcos, Texas, later on leaving SRJC in late fall of 1985.[3] Not long afterward he arrived in San Marcos, Snider saw Jerry Jeff Walker perform solo at Gruene Hall, a legendary dance hall in New Braunfels, Texas.[4] When he saw Walker that night, he decided he wanted to get a songwriter and began writing songs the adjacent day.[5] He told Lone Star Music Magazine in 2004, "I didn't fifty-fifty know how to actually play guitar yet, but I saw his show and went and got ane."[6]

Snider met Kent Finlay at his very commencement writer'due south night, which was at Finlay's San Marcos lodge, Cheatham Street Warehouse. Finlay, who was a songwriter in his ain right, became an important mentor and introduced Snider to the songs of Kris Kristofferson, Guy Clark, John Prine, and Shel Silverstein, among others.[seven]

Snider soon was packing small rooms in San Marcos and over the next few years began to draw enthusiastic crowds in Austin, as well.[eight]

Snider also discovered Memphis songwriter Keith Sykes while living in San Marcos when a friend at the local tape store turned him on to a pair of albums Sykes fabricated in the early on '70s.[9] In 1989, Snider'due south father moved to Memphis, and happened to run across Sykes' sister-in-police force. Through that connectedness, Snider sent Sykes a demo tape of some of his songs. Sykes thought one of the songs had potential, so Snider moved to Memphis to try to work with Sykes.[10]

Not long afterwards he arrived in Memphis, Snider landed a weekly residency at a local gild The Daily Planet. He not only was soon packing the room, the audience knew the words to the songs and would sing along.[eleven]

Through Sykes, Snider met John Prine in 1991 while assisting on pre-production piece of work Prine was doing with Sykes in Memphis for his album The Missing Years. It was the offset of a friendship that would final until Prine'southward decease in 2020.[12]

In 1992, Sykes helped Snider land a evolution deal with Capitol Records. He recorded a number of sides in Nashville for the characterization,[xiii] but they declined to selection up his option for a total anthology.[14]

Effectually the time of the Capitol deal, Snider began performing with a small band backing him which he dubbed the Bootleggers.[fifteen] The band's lineup fluctuated some over the outset yr or and then, but by the terminate of 1994, the lineup was set with Will Kimbrough on guitar, Joe Mariencheck on bass, and Joe McLeary on drums. Snider likewise had inverse the band's proper noun to the Nervous Wrecks.

Sykes was a onetime member of Jimmy Buffett's Coral Reefer Ring and Buffett had recorded a few of his songs, so when the Capitol deal fell through, he reached out on Snider's behalf to Buffett's label, Margaritaville Records, which was distributed by MCA. Not long after label exec Bob Mercer saw Snider perform at an industry showcase in Memphis in Apr 1993, Snider flew to California to open up a show for Buffett. After seeing his prepare, Buffett offered Snider a deal with Margaritaville.[16] [17]

Recordings [edit]

1990s [edit]

Margaritaville/MCA years [edit]

Snider'southward debut anthology for Margaritaville, Songs for the Daily Planet, was released in 1994 and reached number 23 on the Billboard Heatseekers Albums chart.[eighteen] Produced by Tony Brown and Mike Utley, the album was literally composed of songs he was playing at the Daily Planet nightclub in Memphis. Although there were a few invitee musicians and singers on the record, the core lineup was Snider on acoustic guitar, Joe Mariencheck on bass, Joe McLeary on drums, Utley on keys, Eddie Shaver on electric guitar, and Peter Hyrka on mandolin, acoustic guitar, and violin.[xix] The record included a subconscious runway, "Talking Seattle Grunge Rock Blues," which became a small radio hitting, reaching No. 31 on the Billboard Album Rock Tracks chart.[xx] A talking dejection for Gen-Ten, the song mocked the early '90s grunge scene and featured a band that refused to play. The video for another single from the album, "Alright Guy," was in rotation on VH1.[21]

Snider's second album for Margaritaville/MCA, Step Correct Upward, was released on April 23, 1996, and Billboard proclaimed it "more stunning than his debut."[22] Brownish and Utley were coproducers with Snider, and Utley backed Snider and the Wrecks on keyboards.[23]

Snider's 3rd album, Viva Satellite, represented a turning point in his career. Prior to making the record, Margaritaville left MCA and signed with Island Records for distribution. Merely MCA retained rights to Snider's recordings, then they would release the album. No longer recording for Margaritaville or working with Brown and Utley, Snider produced some sides at engineer Justin Niebank'south studio in Franklin, Tennessee, with mixed success. Only 1 of the tracks he cut there would brand the album, the finale "Doublewide Blues." Snider recorded the rest of the album at Ardent Studios in Memphis with producer-engineer John Hampton. He was backed past Kimbrough on guitar, Mariencheck on bass, Paul Buchignani on drums, and Rick Steff on keys, and the result was a more than straight-ahead stone record than his commencement two.[24] Shortly earlier the anthology was released in May 1998, there was trouble at a private performance in L.A. for MCA execs and their staffs. Snider, who was struggling with drugs at the time, insulted those in omnipresence early in the set and and then left the stage. Not long thereafter, MCA released him from his contract.[25]

2000s [edit]

Oh Boy years [edit]

Later leaving MCA, Snider disbanded the Nervous Wrecks and signed with John Prine's contained label, Oh Boy Records. Oh Male child released his 4th album, Happy To Exist Here, on April xviii, 2000.[26] Working with producer Ray Kennedy, Snider recorded all the songs solo audio-visual, and then additional instrumentation was added to his guitar and vocal tracks.[27] As well Kennedy who played a diverseness of instruments on the record, guitarists Pat Buchanan and Will Kimbrough, bassists Joey Spampinato and Keith Christopher, keyboardist Johnny Neel, drummer Paul Buchignani, multi-instrumentalist Peter Holsapple, violinist Tammy Rogers, and horn men Jim Hoke and Wayne Jackson all contributed to the album.[28]

Oh Boy released Snider'south second anthology for the label, New Connectedness, on May 14, 2002.[29] Produced by R.Southward. Field, Billboard said of the anthology, "Snider has settled into a groove of consistent quality and potent observation."[30] The record included "Beer Run," a oversupply favorite that he had been performing since the summer of 2000. Prior to the song'south release on New Connection, Garth Brooks released a duet with George Jones in November 2001 that had the same title and same primary lyrical claw. Snider's manager wondered whether the vocal Brooks and Jones recorded infringed on his song of the same name, but ultimately it was ended that while similar, their song had been written independently of Snider'southward.[31]

Snider's third Oh Boy release was a live anthology, Near Truths and Hotel Rooms, which was released on May thirteen, 2003.[32] The record, which was recorded at half a dozen venues, captured Snider's live show postal service-Nervous Wrecks — just him solo with his acoustic guitar and harmonica.[33] Robert Christgau gave the album an A- form in his Consumer Guide.[34]

Snider'southward last studio anthology for Oh Boy, East Nashville Skyline, was released on July 20, 2004.[35] For the first time, Snider took total artistic control of his record-making process,[36] and the effect was an album that was both a musical and cultural breakthrough. Information technology introduced E Nashville to the larger world, and its influence reverberates to this day.[37] Snider co-produced the tape with his old Nervous Wrecks bandmate Volition Kimbrough at engineer Eric McCullough's East Nashville studio. In improver to guitarist Kimbrough and multi-instrumentalist McCullough, he was backed on the sessions by a who'due south who of Due east Nashville musicians, including guitarist Tim Carroll, bassists Dave Jacques and Dave Roe, drummers Paul Griffith and Craig Wright, and pianist John Deadrick. East Nashville Skyline included two iconic songs that added to the songwriting catechism: "Play a Train Song" pushed the boundaries of "train" songs with the story of a man who was known for always requesting that kind of song, and "The Carol of the Kingsmen" took the talking blues to a more contemporary identify musically while connecting the censorship of "Louie Louie" culturally to the Columbine shootings.[38] Pitchfork called the anthology "the wittiest and feistiest album of his career."[39] Robert Christgau gave it an A in his Consumer Guide and called it "a slacker wakeup call."[twoscore] PopMatters ranked it the 7th-best anthology of 2004.[41] East Nashville Skyline reached No. 28 on the Billboard Contained Albums chart.[42]

Later on East Nashville Skyline, Snider moved to Bob Mercer'southward New Door Records label which was distributed by Universal Music Group, but Oh Male child would issue one more album of his music. On April 3, 2007, the label released Peace, Beloved And Anarchy (Rarities, B-Sides And Demos, Vol. I), a compilation of previously unreleased recordings.[43] Notable among the drove's 14 tracks is the song "East Nashville Skyline" which was intended to exist the title rail of the album of the same proper name just Snider did not end it in time to make the anthology.

New Door years [edit]

While Snider was working on his beginning record for New Door, UMG issued a selection of his Margaritaville and MCA back itemize. The collection, That Was Me: 1994-1998, was released on August 30, 2005,[44] through their reissue arm, Hip-O Records.[45] The compilation included seventeen tracks from all iii of the albums distributed by MCA, including "Alright Guy" and "Talking Seattle Grunge Rock Dejection," plus a previously unreleased cover of "Margaritaville, a breakneck rendition on which he was backed by the Nervous Wrecks.

Snider's first release for New Door was The Devil You Know, the acclaimed follow-upwards to E Nashville Skyline released on August 8, 2006.[46] Working over again with co-producers Volition Kimbrough and Eric McConnell, who both played multiple instruments on the album, Snider also was backed on the record by guitarist Tommy Womack, bassists Billy Mercer, Robert Kearns, and Dave Jacques, drummers Paul Griffith and Craig Wright, pianist Dave Zollo, violinist Molly Thomas, and legendary steel guitarist Lloyd Light-green.[47] The record went to number four on the Billboard Heatseekers Albums nautical chart.[48] Robert Christgau gave it an A in his Consumer Guide and called it "better" than its predecessor.[49] The record was named to several critics' year-finish "best" lists, including a number 33 ranking in Rolling Stone'due south top 50 albums of the year,[fifty] a number 25 ranking past No Depression magazine, and number 14 past Blender magazine.

On October twenty, 2006, Snider made a solo audio-visual in-store appearance at Grimey's New and Preloved Records in Nashville, performing textile from The Devil You lot Know.[51] The performance was recorded and released by New Door on April three, 2007, as Alive With The Devil You lot Know At Grimey's Nashville 10.20.06. Information technology was his last release on the New Door label.

Launch of Aimless Records [edit]

In 2008, Snider launched his own independent record label, Bumming Records. The label'south first release was his eight-vocal EP Peace Queer, the most political record of his career. The championship was inspired by the '60s avant garde rock ring The Fugs who had a line nigh killing "peace queers."[52] As Snider tells it in the press bio for the album, he was kidnapped by an international league of peace queers who forced him to write the protest songs that appeared on the tape. 3 of the tracks on the EP were recorded at co-producer Eric McConnell'southward studio with backing from some of the musicians who worked on Snider'south 2 previous albums, including guitarist Will Kimbrough, bassist Dave Jacques, keyboardist Dave Zollo, and drummers Paul Griffith and Craig Wright. The residuum of the EP was recorded with co-producer Doug Lancio at his studio with Lancio providing musical accompaniment and Patty Griffin contributing bankroll vocals to two of the tracks — "Cape Henry" and the encompass of John Fogerty's "Fortunate Son." Released on Oct 14, 2008,[53] the record went to number one on the Americana Airplay Nautical chart and number 8 on the Billboard Heatseekers Albums chart.[54]

Yep Roc album [edit]

Aimless did non release Snider's next album, The Excitement Plan, because he had already committed information technology to Aye Roc Records, just it would be the terminal record he would make for another record characterization. Produced past Don Was and released on June 9, 2009, the album featured Snider with minimal backing: Was on upright bass, Jim Keltner on drums, and Greg Leisz on dobro and pedal steel.[55] PopMatters chosen the tape "a masterwork of intimacy" and said it "solidified his place among the masters of the course."[56] The Associated Printing called it "the finest album of his career."[57] Rolling Stone gave information technology four stars.[58] Robert Christgau gave information technology an B+ in his Consumer Guide.[59] The album went to number half dozen on the Billboard Heatseekers Albums nautical chart,[60] and number 31 on the magazine'due south Independent Albums chart.[61]

2010s [edit]

Aimless characterization years [edit]

On February i, 2011, Bumming released a double-disc live album by Snider, Live: The Storyteller. The album featured performances of songs spanning much of Snider'due south career along with some of the stories that have become a staple of his alive shows.[62] The performances were selected from recordings of concerts in 2010, primarily from shows in Nashville, Asheville, North Carolina, and Ann Arbor, Michigan, merely also from his appearance that year at the Bonnaroo Music and Arts Festival. On some of the selections, Snider is backed by the jam band Swell American Taxi.[63] Robert Christgau gave the album an A- in his Consumer Guide.[64] The Austin Chronicle said the album "does a magnificent chore of capturing the onetime San Marcos scenester'due south genius, a exciting combo of post-folk punk and stoned comedian."[65] The album went to number seven on Billboard's Heatseekers Albums chart[66] and reached number 36 on the magazine's Contained Albums chart.[67]

After working with them on the road in 2010, Snider produced an album on Great American Taxi in 2011, Paradise Lost. The record was released by the band's ain label on Feb 22, 2012.[68]

Also in 2012, Bumming released a pair of albums by Snider. The commencement, Agnostic Hymns & Stoner Fables, was released on March half dozen and included ix original songs plus a cover of Jimmy Buffett's "West Nashville Grand Ballroom Gown."[69] The album's themes of economic inequality were widely noted. The East Nashvillian said Snider was a "one-human Occupy Wall Street" on the record.[seventy] Rolling Stone called it "Occupy Nashville."[71] Snider recorded the album at Eric McConnell'south studio with McConnell co-producing and engineering also as playing bass. Snider, who played audio-visual and electric guitar and harmonica, was besides accompanied on the record past violinist/backing vocalizer Amanda Shires, Bully American Taxi keyboardist Chad Staehly, and drummer Paul Griffith. In addition, Jason Isbell contributed slide guitar and backing vocals to "Digger Dave'south Crazy Woman Blues."[72] The record earned an A grade in Robert Christgau's Consumer Guide.[73] American Songwriter gave information technology four-and-a-half stars.[74] The album landed on 3 unlike Billboard charts. Information technology was number six on the Americana/Folk Albums chart,[75] number 15 on the Contained Albums chart,[76] and number 23 on the Acme Rock Albums nautical chart.[77] It as well made a number of year-end lists, most notably number five on Christgau's "Top 102 Albums of 2012."[78] It also was ranked number 11 on American Songwriter's "Pinnacle 50 Albums of 2012,"[79] number xl on both The Village Vocalism'south Pazz and Jop: Height 100 Albums of 2012,[80] Paste's "50 All-time Albums of 2012,"[81] and number 47 on Rolling Rock'south "Top 50 Albums of 2012."[82]

The following month on April 24, Aimless released Snider'south tribute album honoring 1 of his early mentors, Fourth dimension As We Know It: The Songs of Jerry Jeff Walker. Produced by Don Was, Snider was backed on the album by the members of Groovy American Taxi (Vince Herman, acoustic guitar, mandolin, backing vocals; Chad Staehly, keyboards; Brian Adams, bass, backing vocals; Jim Lewin, electrical guitar, backing vocals; and Chris Sheldon, drums, backing vocals.) In improver, Kix Brooks, Elizabeth Cook, and Amy LaVere were guest vocalists on the album.[83] PopMatters called the album "Snider's love letter to Jerry Jeff Walker."[84] The album went to number 13 on the Billboard Americana/Folk Albums chart.[85]

Hard Working Americans [edit]

In 2013, Snider cofounded the jam band supergroup Hard Working Americans with Widespread Panic bassist Dave Schools. The band'south lineup was Snider on vocals, Schools on bass, Neal Casal on guitar, Chad Staehly on keyboards, and Duane Trucks on drums. After they recorded their beginning album at Bob Weir's TRI Studios,[86] they added a sixth member, guitarist and lap steel actor Jesse Aycock.[87] The band's debut, Hard Working Americans, was released by Melvin Records on January 21, 2014, and included eleven songs written by songwriters Snider admires, including Randy Newman, Dave Rawlings and Gillian Welch, Kevn Kinney, Hayes Carll, and Volition Kimbrough.[88] Later on that same year on October 28, Melvin released The Outset Flit, a two-disc set that included a CD featuring 11 alive recordings by HWA plus a new studio recording with Rosanne Cash, "Come From The Heart," and a full-length documentary pic about the band directed by Justin Kreutzmann.[89]

Melvin released Difficult Working Americans' second studio album, Rest in Anarchy, on May 13, 2016. The tape featured a dozen songs with lyrics past Snider and music by the entire ring, plus a comprehend of Guy Clark's "The High Price of Inspiration."[ninety] American Songwriter gave the record four stars out of 5.[91]

On August 4, 2017, Melvin Records released a live double album past Hard Working Americans, We're All In This Together.[92] Robert Christgau gave the album an A- in his Consumer Guide and called it "the rock dream the hippies invented earlier they burned out."[93] In the spring of 2017, the ring went into Cash Motel Studios and recorded more than an album's worth of material written by Snider, just those recordings have yet to be released.[94]

Elmo Buzz and the Eastside Bulldogs [edit]

In between his work with Difficult Working Americans, Snider finished the album Eastside Bulldog which Bumming released on October 6, 2016.[95] While it was released under Snider's name, the material grew out of his side project/modify ego Elmo Buzz and the Eastside Bulldogs who specialize in '50s and early '60s rock and gyre. 6 of the ten songs originally appeared on an EP Shit Sandwich that Aimless released in 2011 as a costless download under Elmo Buzz'southward proper name. Snider was backed on those sides by Eric McConnell on bass, Jen Gunderman on piano, Mark Horn on drums, and Dennis Taylor on saxophone. In 2016, Snider cut four more than sides to complete the album with backing from Aaron Lee Tasjan on guitar, Keith Christopher on bass, Paul Griffith on drums, Robbie Crowell on sax, and Rorey Carroll on percussion, amidst others.[96] The Irish Times called Eastside Bulldog "26 minutes of perfection that volition rip your ears off."[97] The record went to number 13 on Billboard's Americana/Folk Albums chart,[98] number 29 on the Independent Albums nautical chart,[99] and number 41 on the Top Rock Albums chart.[100]

Return to folk roots [edit]

On March 15, 2019, Bumming Records released Snider's 13th studio album, Cash Cabin Sessions, Vol. 3.[101] Coproduced with Chad Staehly, Snider returned to his folk roots on the solo audio-visual album, playing all the instruments on the 10 songs recorded at Cash Motel Studio in the autumn of 2018. Jason Isbell and Amanda Shires added bankroll vocals to ii of the tracks, "The Dejection on Banjo" and "A Timeless Response to Current Events." Isbell as well added a backing vocal to the single "Like a Force of Nature." One-half the songs on the record were amongst those he recorded with Hard Working Americans at the studio in 2017.[102] Robert Christgau gave the album an A class in his Consumer Guide.[103] Rolling Stone gave it four stars.[104] The record went to number three on Billboard's Contained Albums chart,[105] number 11 on the Americana/Folk Albums chart,[106] number 21 on the Vinyl Albums chart,[107] and number 23 on the Album Sales chart.[108]

2020s [edit]

With the release of Commencement Doubter Church of Hope and Wonder by Aimless on April 23, 2021,[109] Snider fulfilled his longtime vision of combining funk with folk. He produced the record and played almost of the instruments on information technology, including electrical bass, acoustic guitar, electrical guitar, banjo and piano. He likewise sang all the bankroll vocals. Robbie Crowell handled drums and percussion. Tchad Blake mixed the tape, as well every bit contributed a few sonic and musical touches.[110] No Low said the record showed Snider "in all his glory."[111] Rolling Stone said it was "a raw portrait of a world-class songwriter processing calamity and chaos in existent time."[112] Robert Christgau gave the album a B+ in his Consumer Guide.[113] The album reached number 21 on Billboard's Americana/Folk Albums chart[114] and number 36 on the Anthology Sales chart.[115]

Tribute recordings [edit]

In add-on to his own recordings, Snider has contributed covers to a number of tribute albums during his career showtime in 1996 when he teamed with Joe Ely on a comprehend of "Oh Boy" for the Buddy Holly tribute anthology, Not Fade Abroad (Remembering Buddy Holly).[116]

On August sixteen, 2004, Snider appeared at a tribute concert at the Paramount Theater in Austin, Texas, to honour Billy Joe Shaver on his 65th altogether.[117] Snider'southward operation of Shaver's "Waco Moon" was included on A Tribute To Billy Joe Shaver - Alive, an album documenting the concert which was released on May 17, 2005.[118]

In 2006, three tribute albums were released that included sides by Snider. He recorded "Maybe Yous Heard" for The Pilgrim: A Commemoration of Kris Kristofferson released on June 27 of that yr.[119] He contributed "They Ain't Making Jews Like Jesus Anymore" to Why the Hell Not: The Songs of Kinky Friedman released on September 26.[120] And he covered "Traveling Light" for A Instance for Case: A Tribute to the Songs of Peter Example released on October ii.[121]

Snider contributed a cover of "A Boy Named Sue" to the 2010 album, Twistable Turnable Man: A Musical Tribute to the Songs of Shel Silverstein. The record also included covers by Kris Kristofferson, John Prine, Bobby Bare, Lucinda Williams, Nanci Griffith, and Black Francis.[122]

In 2017, Snider covered "It Sure Was Amend Dorsum Then" for the tribute album An American Troubadour: The Songs of Steve Forbert which was released on October half-dozen of that year.[123]

Picture, television and books [edit]

In addition to the music videos and promotional videos he'southward appeared in for his own recordings, Snider has fabricated numerous appearances on boob tube and in films.

Television [edit]

Over the years, Snider has appeared a number of times on the belatedly night network talk shows. On March vi, 1995, Snider performed "Alright Guy" with the Nervous Wrecks on Tardily Night with Conan O'Brien. On Jan 29, 1996, Snider and Joe Ely performed Buddy Holly'due south "Oh, Boy" on Late Prove with David Letterman. He returned to O'Brien's bear witness for a performance of "I Am Too" that aired on May 13, 1998.[124] In 2006. he performed "Looking for a Job" on The Tonight Bear witness With Jay Leno on August 9.[125] A few weeks later, he appeared on the Letterman prove again, performing "Unbreakable" on September 1.[126]

Snider has also performed on several music programs during his career. In 1995, he appeared on ABC's In Concertand performed "This Land Is Our Country" and John Fogerty'south "Fortunate Son" with backing from the Nervous Wrecks. In 1996, he performed on Austin City Limits with the Wrecks in an episode headlined by John Prine that aired on aired on Jan xx.[127] Too in 1996, Snider performed "Alright Guy" solo acoustic on VH1's Crossroads.[128] In 1998, he performed "Rocket Fuel," "My Generation, Part 2," and "I Am Besides"on HBO'due south Reverb backed by the Wrecks.

Snider fabricated three appearances in 2010 on Squidbillies during the fifth season of the Adult Swim Television set series. He sang the show's theme vocal in episode seven, "Fatal Distraction," which aired on June 27, 2010.[129] He voiced the character Lobster Freak in episode eight, "Clowny Freaks," which aired on July 4, 2010.[130] He appeared equally himself in the flavour finale, the half-hour, all-star musical special, "America: Why I Dearest Her," which aired on July 18, 2010, and also included Lucinda Williams, Bulldoze-Past Truckers, and Jimmie Dale Gilmore, among others.* [131]

Film [edit]

Snider met the filmmaking brothers Brad and Todd Barnes in 2003 when they made a promotional motion-picture show for his live album Todd Snider Live: Nigh Truths And Hotel Rooms. During a break in the making of Tension: On the Road With Todd Snider, Snider composed and performed a brusque instrumental piece for the Barnes brothers' comedic short, Long Road Home, released that aforementioned year.[132] He also composed the music for their 2010 film, The Locksmith.[133] Snider also has starred in two "mockumentaries" directed by brothers. The showtime was 2009'due south Peace Queer: The Movie. The 42-minute film allegedly offering proof that peace queers had kidnapped Snider and made him write the anti-war protest songs that appeared on his Peace Queer EP.[134] He also starred in the Barnes brothers' 2013 feature-length, stoner musical mockumentary, East Nashville This evening, alongside Elizabeth Cook.[135]

In 1997, Snider performed a cover of Steve Goodman'south "This Hotel Room" at a tribute concert in Goodman's honor at the Medinah Temple in Chicago.[136] The concert was filmed, and a decade later, a DVD documenting the concert, Larger Than Life: A Celebration of Steve Goodman and His Music, was released on November vi, 2007. In add-on to Snider'southward performance, the DVD includes performances past John Prine, Arlo Guthrie, Emmylou Harris, Jackson Browne, Lyle Lovett, Iris Bewilder, and Goodman himself.[137]

Snider starred forth with his Hard Working Americans bandmates in The First Waltz, director Justin Kreutzmann'due south documentary that captures the formation of Hard Working Americans and their first performances together in belatedly 2013.[138] The film was released by Melvin Records on October 28, 2014 as function of a two-disc set (CD/DVD).[139]

In 2020, the film Difficult Luck Love Song, which is based on Snider's song, "Just Similar Old Times" and includes the song in the motion picture, made a limited release.[140] Then in 2021, the picture was picked upwardly by Roadside Attractions for wider distribution with a release date of October xv, 2021.[141]

Books [edit]

On April 22, 2014, Da Capo Press released Snider'southward quasi-memoir, I Never Met a Story I Didn't Like: More often than not Truthful Alpine Tales.[142] Alone Star Music Magazine chosen it "one of the nearly charmingly witty memoirs to come down the literary pike in quite some time."[143] That same yr, Snider contributed a chapter to a book nearly his outset mentor, Kent Finlay. The book, Kent Finlay, Dreamer: The Musical Legacy backside Cheatham Street Warehouse, was published on February 3, 2016, past Texas A&K University Press [144]

Songs covered past other artists [edit]

Over the form of his career, Snider has written and cowritten a large number of songs that were covered by other artists.

1990s [edit]

His first cut was by Rick Trevino who recorded Snider'south "She Just Left Me Lounge" for his 1994 eponymous release.[145] Then the following year, Mark Chesnutt covered "Trouble" for his anthology Wings.[146]

Terry McMillan covered "Somebody's Comin'," a spiritual number which Snider cowrote with Marker Marchetti and Shannon Hills, on his 1997 release Somebody's Comin' .[147] Subsequently, that song was covered past numerous artists, including Russ Taff on his 1999 album, Correct Here Right Now.[148]

In 1997, Jack Ingram recorded "Airways Cabin," for the album Livin' or Dyin', the beginning of several songs he would cowrite with Snider.[149] Two years later, Ingram recorded a pair of songs they cowrote, "Experience Similar I'thousand Falling In Love" and "Barbie Doll," for 1999's Hey You.[150]

Snider and Jason Ringenberg cowrote "This Town Isn't Keeping You Down," which appeared on Jason & The Scorchers' 1998 release, Midnight Roads & Stages Seen.[151]

2000s [edit]

Snider and BR-549's Gary Bennett cowrote "Better Than This," which appeared on BR-549's 2000 live anthology, Coast to Declension Live.[152]

Charlie Robison recorded the Snider-Ingram cowrite "Barbie Doll" for the 2000 album Unleashed Live.[153]

Both Gary Allan and Jerry Jeff Walker covered Snider's "Alright Guy" in 2001. Allan's recording of the song appeared on his anthology of the aforementioned name,[154] while Walker'southward version appeared on his anthology Gonzo Stew.[155]

Snider collaborated with Jason Ringenberg over again on "James Dean's Machine," which appeared on Ringenberg's 2002 solo album, All Over Creation.[156]

Billy Joe Shaver recorded two songs he and Snider cowrote: "Deja Blues," which was included on his 2002 album, Liberty'south Child,[157] and "The Real Deal," which appeared on his 2005 record of the aforementioned name.[158]

Cantankerous Canadian Ragweed has covered 2 of Snider's songs: "Belatedly Last Night" on their 2005 album Garage [159] and "I Believe You" on 2007'south Mission California.[160]

Keith Sykes, one of Snider's early mentors, recorded a vocal they cowrote "Tearing the House Downward," and released it on his 2006 album, Allow It Roll.[161]

Snider's former Nervous Wrecks bandmate Will Kimbrough has recorded several songs he and Snider cowrote. Two of their collaborations, "I Desire Out" and "Cape Henry," were included on Kimbrough's 2006 compilation, Godsend (Unreleased Songs, 1994-2002).[162] He recorded two others, "Horseshoe Lake" and "Half a Human," for his 2007 EP Volition Kimbrough.[163]

Jack Ingram recorded "Easy as 1, 2, 3 (Part Two)," another of his collaborations with Snider, for his 2007 album. This Is It,[164]

T. Graham Brown covered Somebody's Comin' for his 2008 release, From A Stronger Place.[165]

2010s [edit]

Snider cowrote one-half an anthology's worth of songs with Memphis vocaliser-pianist Jason D. Williams for Williams' 2010 album Killer Instincts, which Snider produced. Some of that cloth had additional cowriters including Dan Baird and Bobby Bare Jr.[166]

Will Kimbrough included some other of his cowrites with Snider, "It Ain't Cool," on his 2010 release Wings.[167]

Willie Braun's band Reckless Kelly recorded a vocal he cowrote with Snider, "I Never Liked St. Valentine," which appeared on his 2011 album Good Luck & True Love.[168]

A pair of Texas music legends, Robert Earl Groovy and Pat Dark-green, as well accept recorded Snider'south songs. Keen covered "Play a Train Song" on his 2011 album Ready For Confetti.[169] Green covered "I Am Too," which was written by Snider and Will Kimbrough, on his 2012 release Songs We Wish We'd Written Two.[170]

Somebody'due south Comin' remained a favorite among Christian artists, and gospel legends Bill and Gloria Gaither covered the song on their 2011 record, Alaskan Homecoming.[171]

Dash Rip Rock covered the Snider-Shaver cowrite "The Real Deal (every bit "Real Deal") on 2013's Dash Does Shaver.[172]

Country legend Loretta Lynn recorded a song she cowrote with Snider, "Everything It Takes," for her 2016 anthology Full Circle.[173]

That same twelvemonth, a song Snider cowrote with singer-songwriter Elizabeth Cook and Dexter Dark-green, "Cutting Diamonds," was released on Cook's Exodus of Venus album.[174]

Jack Ingram released a pair of songs he wrote with Snider, "Alright Alright Alright" and "Everybody Wants To Be Somebody" (also cowritten with Jon Randall Stewart), on 2019's Ridin' High...Again.[175]

2020s [edit]

In 2021, Tom Jones released an eclectic cover of Snider's "Talking Reality Television Dejection" on his 2021 anthology Surrounded By Time.[176]

Honors and awards [edit]

Later the success of The Devil You Know in 2006, Snider was nominated for Artist of the Twelvemonth at the sixth annual Americana Honors & Awards in 2007. The nominees in the category included Lucinda Williams, Patty Griffin, and Joe Ely[177]

Hard Working Americans was nominated for an award in the All-time Duo/Group category at the Americana Honors & Awards in 2014.[178]

On October 9, 2021, Snider was inducted into the Oregon Music Hall of Fame during a ceremony at the Aladdin Theater in Portland.[179]

Discography [edit]

Albums [edit]

Year Album Summit chart positions
U.s.a.
[180] 		US Heat
[181] 		United states Indie
[182] 		US Stone
[183] 		US Folk
[184]
1994 Songs for the Daily Planet — 23 — — —
1996 Step Right Up — — — — —
1998 Viva Satellite — — — — —
2000 Happy to Be Here — — — — —
2002 New Connection — — 45 — —
2003 Well-nigh Truths and Hotel Rooms — — — — —
2004 Eastward Nashville Skyline — 44 28 — —
2005 That Was Me: The Best of Todd Snider 1994–1998 — — — — —
2006 The Devil You Know 173 4 — — —
2007 Peace Love and Anarchy (Rarities, B-Sides, & Demos, Vol. 1) — — — — —
Live with the Devil Y'all Know (Grimey's – Nashville) — — — — —
2008 Peace Queer — eight 44 — —
2009 The Excitement Plan 144 6 31 — —
2011 Todd Snider Alive: The Storyteller — vii 36 — —
2012 Time as We Know It: The Songs of Jerry Jeff Walker — — — — 13
2012 Doubter Hymns & Stoner Fables 95 — 15 23 vi
2016 Eastside Bulldog — — 29 41 13
2019 Cash Cabin Sessions, Vol 3 — — 3 11 —
2021 Outset Agnostic Church Of Hope and Wonder — — — — 21
"—" denotes releases that did not chart

DVDs [edit]

  • The Devil You lot Know (2007)

Singles [edit]

Twelvemonth Single Chart Positions Album
US MSR CAN Air-conditioning
1994 "Talkin' Seattle Grunge Rock Blues" 31 — Songs for the Daily Planet
"This Country Is Our Land" — —
1995 "Alright Guy" — 33
1996 "I Believe You" — — Step Right Up
"Belatedly Last Night" — —

Music videos [edit]

Year Video Director
1995 "Alright Guy"[185] Jim Shea
1996 "I Believe You"
2006 "Looking For A Job"
"You Got Away With Information technology (A Tale Of 2 Fraternity Brothers)"

Publications [edit]

Year Title Publisher
2014 I Never Met a Story I Didn't Like Da Capo Press

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External links [edit]

  • Official website
  • Interview on AmericanaRoots.com
  • Interview June 2009 on NPR

valentinasaing74.blogspot.com

Source: https://en.wikipedia.org/wiki/Todd_Snider

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